Harmonics or overtones form the sequence that sounds musically above the fundamental tone. These are the frequency elements that give the sound its timbre or identity that defines it as a unique instrument. Our voice has a fundamental that is unique to each resonating being. Additional there are a predictable series of overtones that can be sounded to expand the healing potential of our own voice

They have to do with the use of the three in-body resonance chambers as well as the formation of the mouth, the placement of the tongue, the placement of the sound in the mouth, the breath, and the intention. The classic representations of harmonic overtoning are the Tibetan monks with their multi toned chants and the Mongolian Tuvan singers who have the high pitched sounds on their nasal sounding chants.

These overtones have many healing potentials for they are the true healing power contained in sound. “They are a vehicle for accessing inner portals, helixes, and grid points within the mind body that lead us to accelerated healing and expanded human awareness. “ Wayne Perry. The harmonics can regenerate, repattern, align, and tune the frequencies o f the body. They massage the body from the inside out, shattering energy blockages.

The process of  voicing multiple tones create additional tones in the harmonic sequence. They change your brainwaves and stimulate portions of your brain that can receive greater levels of frequency, reducing stress, enhancing memory, charging the cortex of the brain,growing new brain cells, teaching the brain to restore and replace weak, dormant, or missing frequencies; stimulating and enhancing functions of the immune system; slowing down respiration, heartbeat, and brainwave activity; improving the pulse and the flow of cerebrospinal fluid; creating new neural synaptic connections; regenerating body systems; ansd expanding consciousness and inner awareness.

Here are some harmonic techniques:

 Vowel Sounds (ay-ee-ah-oh-oo-uh)

 Soft Consonants (j, l, m, n, r, s, v, w, y, z)voice and sustain each while altering the tongue, mouth shape and jaw

 You (yy-ooo, ee-ooo)

 Wow (www-ooww, wwwaah-ooh-oooo)

 More (mmmm-ooorrrrr, mmm-aaw-rrr)

 Near (nnnnnneeeerrrrr)

 Nurry (nnnnnnuuururrrr-reeee)

 Nay-neee (nnaaaye-nneee)

 The Bee’s Breath  (nn-nn-nn-nn) tip of tongue at front teeth, lips closed, sound and move middle of tongue up and down from roof of mouth.

 Hurry ( huurrrr-rreee)

 Ringing-ing (rrreeeennng-Ing, rring-ing-ing-ing)

 Ngong (nng-aw-nng, nng-aah-nng)

 Oo-ee (oooo-eeeee-ooo-eee)

 Zzshsszz (zzz-shhh-sss-zzz)

 You-you-you pulse and Wow-wow-wow pulse

 Murmur-me-me

 Nee-Yum (nneee-yuummm-nnneee-yuummm)